¶â ÍýÍ­ KIM, Riyoo


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  • 1980 ǯ ÂçºåÉÜÀ¸¤Þ¤ì
  • 2006 ǯ Âçºå·Ý½ÑÂç³ØÂç³Ø±¡·Ý½ÑÀ©ºî¸¦µæ²Ê½¤»Î²ÝÄø½¤Î»
    ¡¡Æ±Âç³Ø±¡·Ý½Ñ¸¦µæ²Ê¸¦µæ°÷ 2007 ǯ ƱÂç³ØÈó¾ï¶Ð½õ¼ê
  • 2009 ǯ ¿À¸Í¥Ó¥¨¥ó¥Ê¡¼¥ì 2009 ¸½Â寫·ÝŸ½àÂç¾Þ¼õ¾Þ
  • 2010 ǯ Åìµþ INAX ¥¬¥ì¥ê¥¢¥»¥é¥ß¥«¤Ë¤Æ¸ÄŸ
  • 2013 ǯ ¥Ñ¥é¥ß¥¿Æ«·ÝÂç¾ÞŸ¥Î¥ß¥Í¡¼¥È
  • 2014 ǯ ÆüËܶ¶üâÅç²°Èþ½Ñ²èÏ­X ¤Ë¤Æ¸ÄŸ
  • 2016 ǯ ÆÃÊÌŸ¡ÖNo Man¡Çs Land¡×(ʼ¸ËÆ«·ÝÈþ½Ñ´Û ¡Ë

Kim Riyoo is an artist who admires Jomon pottery, which is said to be the oldest in the world and existed in Japan over 10,000 years ago, and explores its ritual significance in a modern context.
Her works are coated with a shiny metallic glaze and covered with linear carvings that appear to be a reference to the Jomon period.
While reminiscent of the Jomon period, her works also have a science fiction-like quality, and are strongly conscious of our modern digital society. They are truly timeless "cursed objects" that evoke the feeling of supernatural power or a curse.

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